https://journals.symphonypub.com/index.php/cp/issue/feed Currere and Praxis 2025-01-05T14:11:21+03:00 Wiiliam F. Pinar william.pinar@ubc.ca Open Journal Systems <p style="text-align: justify;"><span style="white-space: normal;"><strong>Currere <em>and</em> Praxis</strong> (C&amp;P), a peer-reviewed journal, is sponsored by the <a href="https://aaides.org/">Association for the Advancement of Interdisciplinary Educational Studies</a> (AAIDES) to support original contributions to curriculum theory and practice worldwide.</span></p> <p style="text-align: justify;">Why establish a second journal<sup>1</sup> on <em>currere</em>, this one titled <strong>Currere <em>and</em> Praxis</strong>? The Latin infinite form of curriculum <em>is currere</em>, meaning to move, often quickly<sup>2</sup>, but in this journal we want essays composed and to be read in slow time<sup>3</sup>, adagio not allegro. “Praxis,” Cazdyn explains, “denotes the ceaseless movement between thinking, understanding, experimenting, acting, and changing.”<sup>4</sup></p> <p style="text-align: justify;">Pinar’s conception of <em>currere</em><sup>5</sup> – including its method – encourages us linger over what we think and do, contemplating what knowledge is of most worth – the canonical curriculum question – and why, where, when, and for whom? After contemplation, we act, whether walking into a classroom to teach or into a Ministry of Education board room to decide what to tell school children about the reality in which we are all embedded: the curriculum. The concepts of <em>currere</em> and <em>praxis</em> are inextricably intertwined – in theory, in practice. They are also separable, perhaps necessarily so: “Indeed, thinking [and learning], like other solitary and even private activities (distinct from actions), takes place between me and myself or in dialogue with one other.”<sup>6</sup> It doesn’t tend to happen in groups, where “group-think” is infamously a risk to intellectual independence. Nor does it happen when speed reading – driven by looking for take-aways – but by “lingering.”<sup>7</sup></p> <p style="text-align: justify;">Dewey worried that our “zeal for doing, lust for action, leaves many a person, especially in this hurried and impatient human environment in which we live, with experience of an almost incredible paucity, all on the surface. No one experience has a chance to complete itself because something else is entered upon so speedily. What is called experience is so dispersed and miscellaneous as hardly to deserve the name.”<sup>8</sup></p> <p style="text-align: justify;">So, let’s pause, proceed <em>lentement</em> and think – not only about the subject(s) in which we specialize, but also about the curriculum overall, its emplacement in culture, politics, place, time, gender, race, and in our subjective lives. Such a turning inward can change consciousness; a shift in the source of behavior signals a shift in behavior itself: <strong>Currere <em>and</em> Praxis</strong><span style="font-size: 0.875rem;">.</span></p> <p style="text-align: justify;"><sub><strong>References</strong></sub></p> <p style="text-align: justify;"><sup>Aoki, Ted T. 2005 (1992). Layered Voices of Teaching: The Uncannily Correct and the Elusively True. In Curriculum in a New Key (187-197), edited by William F. Pinar and Rita L. Irwin. Lawrence Erlbaum.</sup></p> <p style="text-align: justify;"><sup>Berg, Maggie and Seeber, Barbara K. 2016. The Slow Professor. Challenging the Culture of Speed in the Academy. University of Toronto Press.</sup></p> <p style="text-align: justify;"><sup>Butler, Judith. 2017. Arendt: Thinking Cohabitation and the Dispersion of Sovereignty. In Sovereignty in Ruins: A Politics of Crisis, edited by George Edmondson and Klaus Mladek (220-238). Duke University Press.</sup></p> <p style="text-align: justify;"><sup>Cazdyn, Eric. 2012. The Already Dead. The New Time of Politics, Culture, and Illness. Duke University Press.</sup></p> <p style="text-align: justify;"><sup>Han, Byung-Chul. 2017. The Scent of Time. A Philosophical Essay on the Art of Lingering. Trans. by Daniel Steiner. Polity.</sup></p> <p style="text-align: justify;"><sup>Jay, Martin. 2005. Songs of Experience. Modern American and European Variations on a Universal Theme. University of California Press.</sup></p> <p style="text-align: justify;"><sub><strong>Endnotes</strong></sub></p> <p style="text-align: justify;"><sup><sub>1</sub> </sup><sub>The first is: <a href="https://www.currereexchange.com/currere-exchange-journal.html">https://www.currereexchange.com/currere-exchange-journal.html </a></sub></p> <p style="text-align: justify;"><sup><sub>2</sub> </sup><a href="https://ancientlanguages.org/latin/dictionary/curro-currere-cucusrri-cursum"><sub>https://ancientlanguages.org/latin/dictionary/curro-currere-cucusrri-cursum </sub></a></p> <p style="text-align: justify;"><sup><sub>3</sub> </sup><sub>Berg and Seeber (2016) call on the university professoriate to challenge the culture of speed, in part so we – and our students - may think more carefully about what we think.</sub></p> <p style="text-align: justify;"><sub><sup>4</sup> 2012, 31.</sub></p> <p style="text-align: justify;"><sup><sub>5</sub> </sup><a href="https://en.wikipedia.org/wiki/Currere"><sub>https://en.wikipedia.org/wiki/Currere </sub></a></p> <p style="text-align: justify;"><sub><sup>6</sup> Butler 2017, 227.</sub></p> <p style="text-align: justify;"><sup><sub>7</sub> </sup><sub>Aoki 2005 (1992), 197. “Whoever tries to live faster,” Han (2017, 34) cautions, “will ultimately also die faster. It is not the total number of events, but the experience of duration which makes life more fulfilling. Where one event follows close on the heels of another, nothing enduring comes about. Fulfilment and meaning cannot be explained on quantitative grounds. A life that is lived quickly, without anything lasting long and without anything slow, a life that is characterized by quick, short-term and short-lived experiences is itself a short life.”</sub></p> <p style="text-align: justify;"><sup><sub>8</sub> </sup><sub>Quoted in Jay 2005, 166.</sub></p> https://journals.symphonypub.com/index.php/cp/article/view/70 Living our subjective presence: An interview with William F. Pinar 2025-01-03T19:29:23+03:00 Ying Ma Ying.Ma2@kpu.ca <p>This paper is a narrative account of the conversation that took place at Pinar’s house, on April 4, 2023, focusing on a few themes that emerge from his 2023 book <em>A Praxis of Presence in Curriculum Theory: Advancing Currere Against Cultural Crises in Education</em> as well as the dialogue between us, including “subjective presence,” “study,” and “knowledge of most worth”. This paper hopes to experience Pinar’s calling not only in reverberating textual conversations but also in the author’s embodied lived experiences in the interview. This paper invokes several lived moments the author shared with Pinar and gives a glimpse of <em>the person behind his text</em>, in other words, to <em>humanize the text</em>. This would echo the humanist emphasis embedded in the reconceptualization of curriculum studies. This interwoven feeling, reading, thinking, and writing, I believe, are in itself a very pedagogical attempt to “concretize” the abstract and go beyond and behind the text. This article concludes with a discussion of the implications of embracing the subjective presence for teachers’ pedagogical praxis.</p> 2025-01-03T00:00:00+03:00 Copyright (c) 2025 Symphony https://journals.symphonypub.com/index.php/cp/article/view/69 Re-listening to Alexisonfire: Duo-currere, adolescence, and the forms of study therewithin 2025-01-03T19:15:50+03:00 Tesni Ellis tesni.ellis@yorku.ca Adrian M. Downey Adrian.Downey@msvu.ca <p>This article shares insights emergent from our practices of listening and re-listening to music that deeply affected us during adolescence. Drawing methodologically on duo-<em>currere</em>, we focus our reflections on our mutual love for, and respective experiences with, the Canadian post-hardcore band Alexisonfire. We evoke the concept of study toward an articulation of the value of such listening both in adolescence and today. More specifically, the following insights emerge from our reflexive practice: 1) our adolescent listening shaped our affective landscapes, forming the contours of our relational and social lives; 2) our adolescent listenings were our first forms of study, and we find similarity in the ways we operate as scholars of curriculum today; and 3) re-visiting those listenings with active attention constitutes a valued form of study, albeit perhaps one that does not fit within the constraining value logics of neoliberal capitalist society. We conclude the article by gesturing toward the affective potency of music heard in our adolescence and its relevance in <em>currere</em>.</p> 2025-01-03T00:00:00+03:00 Copyright (c) 2025 Symphony https://journals.symphonypub.com/index.php/cp/article/view/71 The heart of the matter: Jean-Luc Nancy 2025-01-03T22:01:51+03:00 Marla Morris marlamor@georgiasouthern.edu <p>Curriculum theorists write about things that no one wants to talk about. Currere is not just about lived experience, but it is also about death. And it is this that no one wants to talk about. This is what Heidegger called Being-Toward-Death. I write about a professor who died several days before his seminar began. That professor was Jean-Luc Nancy who was Jacques Derrida’s student. Derrida is a familiar name to curriculum theorists, but Jean Luc-Nancy might not be. Christopher Fynsk—a well-known philosopher and friend of Nancy’s—had the courage to teach Nancy’s seminar only a few days after Nancy died. I took that seminar. The year was 2021. The seminar was held at the European Graduate School. In that seminar I began studying Nancy’s work. This paper is an introduction to Nancy’s work.</p> 2025-01-05T00:00:00+03:00 Copyright (c) 2025 Symphony https://journals.symphonypub.com/index.php/cp/article/view/73 Pedagogy, demagogy, and subjectness: Encounter and responsibility 2025-01-05T14:11:21+03:00 Vicente Regis vicente.regis@ubc.ca <p>The article delves into the nuanced relationship between pedagogy and demagogy, analyzing how they shape the educational experience. It highlights that when pedagogy loses its existential focus, it risks turning into demagogy, prioritizing control over education's transformative potential. The author argues for a pedagogy that values subjectivity, intuition, and the inherent uncertainty of educational encounters. Using poetic language, the author portrays teachers as oscillating between the roles of artists and entertainers, when addressing the responsibility consequent of the subjective encounter. The piece suggests that educational encounters should be approached with the same wonder as one feels when encountering the sea and other elemental beings, recognizing the interplay between the vastness of existence and human life's limitations. The astonishment consequent of these encounters engages both students and teachers in a shared journey of self-discovery, uncovering new facets of their identities through their interactions. Through autobiographical narrative and philosophical discourse, the work emphasizes the need for educators to engage deeply with the subjective dimensions of teaching, fostering spaces where both teachers and students can explore their identities and responsibilities in relation to each other and the world.</p> 2025-01-05T00:00:00+03:00 Copyright (c) 2025 Symphony